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Acrylic or Watercolor Underpainting for Oils

  Acrylic Underpainting Acrylics under oil is nothing new. For half a century artists have confidently used acrylic gesso to prepare their raw canvas and panels for oil painting. So why not use a couple additional layers of acrylic to establish your design or build up texture? Acrylics have a wide range of consistencies and […]

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Using QoR Masking Fluid with Watercolor

QoR Masking Fluid is a ready-to-use, removable liquid made with natural latex which may be applied to watercolor paper or watercolor ground before painting. Once dry, the Masking Fluid will resist paint, allowing watercolor artists to preserve fine details and lines of white paper that might be difficult to paint around in traditional transparent watercolor […]

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QoR Watercolor: Three Natural and Three Synthetic Earth Colors

The description “earth pigment” originally indicated both a natural material mined from the earth, and ancient iron oxide colors dominated by browns, tans, golden yellows, and rusty oranges. These are the painters’ traditional Sienna, Ochre, and Umber color families. Natural pigments now have synthetic siblings that greatly expand the earth color family. Synthetic iron oxides […]

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Aesthetics of Varnishing Transparent Watercolor

This article briefly explores the permanent changes created by varnishing transparent watercolor on paper, in particular the aesthetic changes to color, value, texture, and sheen. Keep in mind that varnishing also changes the nature of the painting through the permanent addition of acrylic. While there are several approaches to varnishing watercolor, we only focused on […]

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