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gesso

Differentiating Between Acrylic Gesso and Williamsburg Oil Ground

  Grounds are selected to provide the proper color, level of absorbency and tooth to meet an artist’s needs. Oil painters have the extra concern of protecting from oil penetration into the substrate, which can mean more coats, and often additional time spent in preparation. This article looks at a couple of our popular grounds […]

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Changes to Williamsburg Van Dyke Brown, French Cassel Earth and French Noir Indien

  Due to pigment availability issues, Williamsburg Handmade Oil Colors will unfortunately be discontinuing French Noir Indien and French Cassel Earth. We will also be changing our Van Dyke Brown from a Bituminous Earth and Raw Umber blend to a new mixture of Ivory Black and synthetic iron oxide. The pigment used to make French […]

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19a

Make Your Own Stop-Out Varnish for Intaglio Printmaking with GOLDEN Acrylics

Despite being discontinued, GOLDEN Stop-Out Varnish for Intaglio Printmaking has remained popular in many printmaking circles for being a non-toxic alternative to traditional asphaltum and lacquer-based stop-out varnishes. While we have no plans to bring this product back into our lineup, we wanted to share a simple recipe for interested printmakers and artists who want […]

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Exterior Mural Test Panels that didn't make the cut, failing after only 3 years time.

Mural Panel Testing Results

There are five key aspects directly influencing the lifespan and overall durability of an exterior mural: the environment in which the mural will be placed the paint system used the base surface upon which the mural will reside the preparation of and products directly upon the substrate’s surface the final protective topcoat Usually, the environment […]

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