Archive | Oils

QoR Watercolor Effects

QoR Mediums and Grounds

The recent introduction of QoR®, our new and original take on watercolors, gave us the opportunity to broaden the range of techniques and applications possible with a companion line of Mediums and Grounds. QoR Grounds greatly expand the breadth of surfaces that can accept watercolor paint and provide the freedom to create original surfaces by […]

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Wax Medium blended with Williamsburg's Slate Black and Alizarin Orange Oil Colors.

Williamsburg Wax Medium

From the very beginning, oil painters have used mediums to extend, modify, tweak and transform their paint in one way or another. These have run the gamut from the simple use of solvents when creating an initial wash to much more complex concoctions and recipes that involve the blending of various oils, resins, balsams, and […]

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Williamsburg Upside Down Can

Turning the World of Cans Upside Down

Recently we set about testing a variety of solutions for what has been a constant problem: preventing a can of paint from forming a skin, especially when stored for months or even years at a time. Plastic wrap pressed against the surface definitely worked, but also created a mess when being removed, while anti-skinning sprays […]

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The thirteen new Safflower colors feature a light blue 'SF' as a watermark on their label to clearly distinguish them as colors made with a different binder.

Williamsburg’s New Safflower Colors

The evidence was undeniable as our eyes swung slowly across the drawdowns that spread out before us. The handful of initial colors ground in every possible combination of oil all pointed to a similar conclusion: there was something here that simply could not be ignored. The clarity of the colors was exceptional and in some […]

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Testing for strikethrough of oil ground on top of a size. Dark areas on back of canvas show where oil from the ground has penetrated through.

Preparing a Canvas for Oil Painting

By Sarah Sands with Amy McKinnon What follows is mainly about the materials needed to prepare a canvas for oil painting. Many important elements have been left out completely: stretcher bars, cross bracing, how to stretch a canvas or mount it to panel, instructions on applying the products, use of backer boards, pre-washing, etc. Some […]

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Conservation of Easel Paintings

Edited by Joyce Hill Stoner and Rebecca Rushfield After seven years of work and including essays by seventy-nine international author-experts, Conservation of Easel Paintings is now available from Taylor and Francis, and, etc. David Bomford, formerly Acting Director at the Getty Museum and currently Director of Conservation at the Museum of Fine Arts, […]

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Williamsburg Neutral Grays

Williamsburg’s Special Edition Neutral Grays

It started innocently enough, the email slipping silently into the queue of our Inbox: “I was just wondering,” wrote the customer, “if there has been any thought of making a range of Munsell Neutral Grays in oil paints, similar to the ones in GOLDEN acrylics? I’m not holding my breath but this would be fantastic.”So […]

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Golden Artist Colors Tradeshow Booth College Arts Association Drawdown Walls

Running the Color Gamut

Although it will be my intention to present a stand-alone essay relating to the perception, use and technology of color and color reproduction, it is inevitable that references will be made to the Just Paint 22 article The Subtleties of Color as it serves as not only the conceptual starting point for this article, but […]

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Williamsburg Handmade Oils French Terre Verte

18 New Williamsburg Oil Colors

Carl Plansky’s excitement around the discovery of unique colors had expressed itself in the incredibly wide range of pigments within the Williamsburg Handmade Oil Colors line. Included are many of the standard colors, interesting and unique blends and families of pigments like Cadmium and Cobalt that excel far beyond most manufacturer.s ranges. The Williamsburg Oils […]

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Launching of blog

From the beginning Williamsburg was always known as a ‘painter’s paint.’ Partly it was because the founder of the company, Carl Plansky, was first and foremost a painter by both temperament and training. Everything he made was infused with a painter’s sense of touch and passion for color. The hours spent over a mill or […]

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