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Impasto1

EuACA’s Best Practice Recommendations for Impasto Painting with Oil Colours

The EuACA’s Technical Committee has put together a document with best practice advice for oil painters working in thick layers. We are pleased to share this document so more artists can access this information. We have added links to relevant Just Paint articles and application sheets at the bottom of this page. The European Artists’ […]

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YMB Smallest

Custom Special Edition YInMn Blue Acrylic, Oil and Watercolor Paints

  In 2009, a chemist at Oregon State University named Mas Subramanian and his team discovered a new blue pigment named YInMn Blue after the elements of which it was created; a mixture of yttrium, indium and manganese oxides. This pigment was approved for commercial use in 2017 and now finally approved for artist paints […]

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Williamsburg Chromatic Darks

  When oil painters visit our factory, we always show them these colors. The response is unanimously positive, especially from those who use darker tones or blacks in their work. Williamsburg has six chromatic darks that we want to feature in this article. These colors are all blends, containing a natural iron oxide or Ivory […]

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Differentiating Between Acrylic Gesso and Williamsburg Oil Ground

  Grounds are selected to provide the proper color, level of absorbency and tooth to meet an artist’s needs. Oil painters have the extra concern of protecting from oil penetration into the substrate, which can mean more coats, and often additional time spent in preparation. This article looks at a couple of our popular grounds […]

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Changes to Williamsburg Van Dyke Brown, French Cassel Earth and French Noir Indien

  Due to pigment availability issues, Williamsburg Handmade Oil Colors will unfortunately be discontinuing French Noir Indien and French Cassel Earth. We will also be changing our Van Dyke Brown from a Bituminous Earth and Raw Umber blend to a new mixture of Ivory Black and synthetic iron oxide. The pigment used to make French […]

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Cleaning Brushes Without Solvents

For oil painters who want to reduce the amount of solvent in their studio, we would like to share a solvent-free brush cleaning option that can be used during and after painting. All you need for this process are paper towels and a container with 2-3 inches of drying oil such as linseed, safflower, walnut […]

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A range of test samples exposed to the typical mix of flourescent and indirect window light for the last 30 months.

On the Yellowing of Oils

You would think that we would know more by now; that the questions would be answered, the arguments settled. But we don’t, and they aren’t. Even basic and fundamental issues continue to remain unaddressed by research. Will cold-pressed or alkali-refined linseed oil yellow more? Do historical and traditional processing methods lessen that? How do all […]

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(Multiple values) Linseed Oils 16 oz

The Process of Alkali Refining Linseed Oil

  Linseed oil comes from flax seeds which are harvested from the same flax plant that produces the fibers used to make linen. Artists have been using linseed oil for centuries to make paints, mediums and varnishes. It is widely used today, not only in artist materials, but also for a wide range of industrial applications […]

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