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Archive | Color

Articles concerning color, color mixing, color space, and related issues.

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Changes to Williamsburg Van Dyke Brown, French Cassel Earth and French Noir Indien

  Due to pigment availability issues, Williamsburg Handmade Oil Colors will unfortunately be discontinuing French Noir Indien and French Cassel Earth. We will also be changing our Van Dyke Brown from a Bituminous Earth and Raw Umber blend to a new mixture of Ivory Black and synthetic iron oxide. The pigment used to make French […]

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Using Alcohol Inks with GOLDEN Acrylics and Varnishes

In response to recent questions we have received from artists about the compatibility of using our GOLDEN Acrylics and Varnishes with alcohol inks, we decided to test these materials together. Our results were varied, with varnish testing in particular having more inconsistent results than we expected due to the wide range of alcohol inks available […]

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A Paint Line With The Muralist in Mind

Still Relevant by Ed Trask (@edtrask) courtesy of the Virginia Museum of History & Culture, Richmond, VA. Introducing Golden Paintworks Mural Paints  Our Art Materials Specialists receive and answer over 10,000 questions a year. One of the most asked about topics is around preparation and materials for Exterior Murals. We have always shared our best […]

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Unique GOLDEN Products You May Have Overlooked

Golden Artist Colors has created hundreds – if not thousands – of products since the initial startup in 1980. We tend to think of our acrylic-based materials as tools. Like most garages, sometimes a few tools go missing. Many times during our search for a specific tool we actually re-discover a long forgotten apparatus along […]

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Color Pouring Medium Matte, Fluid Pyrrole Orange and a daylight blue mixture.

Becoming Familiar with Color Pouring Medium Matte: It’s More Than Just for Pours!

GOLDEN Color Pouring Medium Matte (CPM Matte) is a very new and exciting product for 2019. Unlike most acrylic mediums that develop an initial “skin” when drying, this medium avoids skinning over and therefore is quite resistant to “crazing”. The added benefit is this process allows for air bubbles and tool marks to readily disappear. […]

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Aesthetics of Varnishing Transparent Watercolor: Creating the Least Change

For artists who push the boundaries of traditional watercolor, work in sizes large enough that framing is not practical, or just dislike the barrier created by glass, varnish is a valuable option for protecting their paintings.1 Varnishing is likely to alter color, value, contrast, granulation, and the appearance of the paper in a watercolor painting. […]

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