The Material Specialists here at Golden Artist Colors are often requested by artists to ...
Imagine inventing a color. Not a new shade or tint or blend made from others ...
If a single color embodies the dividing line between pigments considered suitable for permanent works ...
While the practice of pouring artist paints is certainly not a new way to apply ...
The Material Specialists here at Golden Artist Colors are often requested by artists to diagnose the reasoning for problems occurring in their paintings based solely upon their words used to guide us. One of the most common emails or calls require the understanding of whether the artist is discussing a crack versus a craze […]
Imagine inventing a color. Not a new shade or tint or blend made from others on the palette, but an entirely new pigment with a novel chemistry. For most artists that thought alone can instill a strong sense of wonder, of something magical and mysterious being coaxed into being from an alchemical mix of ingredients. […]
If a single color embodies the dividing line between pigments considered suitable for permanent works of art, and those that are suspect and poor in lightfastness, Alizarin Crimson (PR 83) would be it. And yet it is still used by many artists who are drawn to it in spite of its many problems. Some of […]
While the practice of pouring artist paints is certainly not a new way to apply paint, achieving consistent results can be frustrating and costly. However, it is vital to the process to conduct experiments to gain the knowledge of what are the most critical controlling factors which preside over paint pours. Studio Preparation One sure […]
Leather companies have been using acrylics to paint leather for a very long time, so it should be no surprise that Golden Artist Colors Acrylics can be used to paint leather as well. Which paint line to use and whether an additive is necessary is dependent upon the type of leather and how […]
If oil paint was just now being invented, and had to sell itself to the marketplace as a new medium, it would probably have an incredibly difficult time – especially if we knew beforehand that its list of problems would include yellowing, cracking, wrinkling, flaking, embrittlement, hydrolysis, fatty acid crystallization, protuberances and delamination caused by […]
The March 2016 article “Painting on Location with QoR Modern Watercolors” included a suggested palette of six QoR paints selected for their own attributes and for their ability to create a spectrum of beautiful saturated colors. This article will first discuss the selection process, and then demonstrate the paints’ mixing potential when organized around an […]
First thing to notice is that GOLDEN acrylics do not have an expiration date. There is no definitive shelf life, meaning if they are stored well, they should not go bad or change and should remain viable for many, many years. We recommend storing the paints in their original containers between 60 – 75 degrees […]
Overview: An acrylic “skin” is a dry acrylic film that can be made of paint, medium or a combination of paint and medium, that is not attached to any substrate. While acrylic skins can be made with just about any GOLDEN Acrylic Medium, Gel, Paste or Paint, our Fluid Acrylics work particularly well since the […]
Plaster has been decorated with paint since its earliest known usage back in 7500 B.C. Jordan. The rather simple mixture of lime powder, crushed limestone and water was used to achieve smooth walls for interior wall decoration. Ancient Egyptian builders employed calcined (heated) gypsum into their plaster, which improved the functional use. The duel use […]